One of my movie-watching pet peeves is non-musician actors playing instruments. My issue usually manifests itself as a mismatch between the video and soundtrack. For example, as a percussionist, I’m highly sensitive to non-musician drummers waving their arms without hitting anything, or even worse, striking cymbals, snare drums or tom-toms out of sync with the soundtrack. And don’t even get me started about non-musician guitar players. There is nothing more frustrating than watching an actor strumming clumsily while sliding his lifeless hand along the guitar’s neck without any attempt at playing a chord. Such distractions negatively impact my willingness to suspend belief.

All storytellers must fix story problems. In the case of the non-musician actor, visual storytellers must find a movie-magic way to cover up the fact that the actor can’t play. One technique is to hide the musician’s hands, either by using an obstructed camera angle (behind the piano), or a tight shot on the hands of a “stunt musician.” Both techniques, however, tend to draw my attention to the problem as I want to see a full-frame shot of the character playing.

I’ve always wondered, why can’t they just teach the actor how to play something—ANYTHING—to augment the various cuts with at least one full-frame shot? Anyone can learn to play a few guitar chords or play a simple drum beat for a few seconds.

Non-musician actors aren’t the only distractions that pull me out of a story. Consider these other distracting storyteller fixes:

1. The antagonist needs a mysterious device that can be used to destroy the world. What’s the easiest way to go? Use a “microchip.”

2. A crime fighter reviews video footage of a getaway car. The storyteller chooses between two uninspired ways to extract information from the video: a) zoom in to read a perfectly clear version of the license plate (which is impossible from a picture-resolution perspective) or b) have the character acknowledge the zooming-in problem, but can “clean it up” through magical image processing software…or a microchip!

3. And my all-time favorite…the cops are stumped for clues, so, they approach some clairvoyant petty thief. “Word on the street,” the informant says, “is that Mr. Big is gonna hit the bank tonight at midnight.” Really? Mr. Big shares such information with the guy selling stolen watches on the corner?

Storytellers have an obligation to hold their readers attention, thus must solve their problems in a believable way. Ask yourself, does my story have too much detail, too few characters, or too many plot twists? Are the solutions to my story problems realistic or do they cause distractions? Tackling these issues now will save much grief in the future.

 

Photo Credit: Mayer, Frank Blackwell. The Continentals / FBM. , 1875. Photograph. https://www.loc.gov/item/2006680120/.

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